I personally think that playing on other trombones or instruments enhances my broader musical base, therefore making me a better musician. There are many times I’ve had to sit for long periods of time, and I wish my mouthpiece wasn’t cold (I’m looking at you Mendelssohn’s Fifth Symphony with no trombone in the 2nd and 3rd movements). The rim has a contour that goes along with the natural shape of your teeth. Some people will disagree, but the articulations are different, the way you use the air column can be different, (also, using a smaller horn and mouthpiece automatically means you will need to treat the horn differently. I do also play some bass and euphonium and even a little tuba and have done so in various settings from large bands and orchestras to broadway musicals. You will find that most professional players do play a variety of trombones depending on the setting. It is the nature of a smaller tube to give a kind of resistance that is needed to get that feeling and sound. Not knowing where you are at with your playing level now makes it hard to say if it's a good time to start broadening your options or if you should really master one trombone first. I won’t even make a recommendation. The throat refers to how tightly the hole at the back of the cup pinches. The main trombone mouthpiece size differences are the rim width, cup depth, throat, and back bore. Andalucia Bb/F Large Bore Silver Trombone NEW. Before you can even think about numbers and sizes of mouthpieces, you have to know what type of instrument you have. Once you get to bass trombones, it makes it much harder to play but for small bores it's a smaller difference. Smaller bore Trombones, having bells with slower rates of taper produce a brighter jazz sound. It's always a good tip to start on your larger instrument first and do small later in the day. I just thought it was worth a mention, since it’s something you might consider in choosing a mouthpiece. You’ll run out of air faster and need stronger lip strength to play for long periods of time. Gold doesn’t conduct heat as fast as the silver mouthpieces. This is one of the most overwhelming topics in low brass playing. Yes it'll affect you in the short term but it's so helpful in the long run getting used to playing different horns each day. People make all sorts of claims about them. Press question mark to learn the rest of the keyboard shortcuts. But again, don’t be short-sighted. The item is suitable for small and large tenor trombones and, since it is made by Bach, you will get great quality for the price tag of this product. Playing large bore before small bore will help prevent your sound from getting thin. If you fatigue in the high range, then a better long-term fix is to develop more strength. Many of us develop an expensive habit of trying out different mouthpieces to get an edge on tone quality or clarity of sound or to extend our range. Mostly legit stuff? I've been spending most of my time for some time now playing my large bore trombone (haven't played my small jazz horn in awhile) and I have the desire to start using both depending on what is called for by the gig. For some frame of reference, I make most of my income playing the large bore trombone, but I am also a good doubler on alto. Large bore trombones, or symphonic trombones, usually have a .547′′ bore and a bell size of 8.5′′ (215mm). This can even mean borrowing one from someone. If you play bass trombone, this will be a different shank than a large shank tenor trombone. Back bore is more complicated, because it consists of both size and shape. If you’re trying to guess based this, you’re going to be in for a surprise more often than not. I used to wonder if those numbers and letters were important to the mouthpiece size. If you have a standard tenor trombone, baritone, or student-intermediate euphonium, you probably have a small shank. A reasonably priced mouthpiece from a trusted manufacturer probably won’t have this problem in modern day (it was the mouthpiece that came with a very old baritone). I later found out that the cheaply made back bore was the problem. People have stated that horns can’t backup, big bores can’t play softly…… I can play soft while using a .472 bore trumpet. Large Bore Intermediate Tenor Trombones (6) Large Bore Professional Tenor Trombones (30) Brands Antoine Courtois Paris (10) B&S (1) Bach (6) BAC Music (2) Blessing (2) Conn (2) Cool Wind (1) Getzen (2) Jupiter (1) Levante (1) XO (2) Yamaha (6) 2 objects. The SY1.0 is somewhere in between the two others. The way I see things, the starting point of the graph (vertically) is determined by the bore size: large bore = low initial resistance, small bore = high(er) initial resistance. Large Bore Tenor Trombones A reputation built on quality. For my euphonium, I play on a Schilke 51C. 8 watching. The main thing I’d think about is to not get too wrapped up in “beginner” mouthpieces that are too small. Small bore (right). There is a size between these two, sometimes called a “European shank” or “medium shank” for euphonium. To me: resistance. You don’t have a baseline for what feels comfortable, what range you want, how your tone should sound, and so on. On Sale! If you have a professional tenor trombone or euphonium, you probably have a large shank. They feel more “wet,” which allows you to use less pressure and adjust your mouth position to get the tone colors you want more easily. The shank size matters. As for … Remember, there is no one-size-fits-all. If you are relatively comfortable playing full rehearsals without major fatigue, you’ll probably want to stay with a similar rim width. Of air faster and need stronger lip strength to play for long periods of time letters important... Depending on the low E, going up as high as the silver mouthpieces strange first! 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